Thanks to ruthlessly
killing a PC—and having a party willing to travel a great distance and plop
down a big chunk of swag for a resurrection—I finally made good on moving play
out of the 120 mile stretch of the Hill Cantons proper. Play for the last month
has centered in the half-ruined digs of a city—and it’s vast, sprawling
undercity--I have been wanting to introduce for years now.
What follows is Part One
of my introduction to this new sandbox.
The ancient Southlands metropolis
of Kezmarok has been known my many names over the aeons: Vu Commoron, Zenopolus, The City Three
Quarters as Old as the Firmament of the Heavens, The City of 500 Graces (or the
City of 500 Sybarites and Popinjays to some wags), the list rolls on.
Five long centuries of besiegement
by the ever-patient and languid forces of the Turko-Fae have severed it’s dominance
over a vast network of fortified ports. The resulting steady collapse and abandonment
of great stretches of the mile-and-a-half long city have diminished its once
teeming magnificence, but it stubbornly clings to a sad grandeur high on the Great
Rock.
Barely 40,000 of its
former 300,000 residents still make their home in the city, and a good quarter
of those are the Northern cantonal mercenaries, bonded outsiders and slick operators
looking to make a golden wheel (Ur Kolo) or two from the largesse of the city
vaults.
Of its native citizens,
gone are many of the common castes. The great legions of the indentured and
poorer wage earners have long shipped out for greener pastures, northwards to
the Cantons or southwards over the Persimmon Sea.
While clinging like the
city to former greatness many of the nobility—almost a third of the residents
now--have doggedly stayed, but downshifted into a “shabby gentility”. It’s not
uncommon to come across a city block of half-collapsed red marble manses with
great taub-taub trees growing through them and families of these pauperized
patricians patching long-handed down robes and doublets, writing epic poems, polishing
dented heirlooms, and acting out parlor theater in the remaining shells.
Defense of the triple
great walls that choke off the peninsula from the mainland—and the great silken
pavilions and stockades of the besiegers—is in the hands of the Bonded
Companies. Many a northern landsknecht, gendarme, or reaver has made an easy
lifetime of serving a “long bond”, a 20-30 year contract of service walking the
walls and performing in the mostly bloodless and symbolic sallies against the
great host outside.
Awesome. This is giving me all sorts of...dare I say it?...nefarious ideas.
ReplyDeleteVery nice. I get a definite Miklagard-meets-Babylon vibe from both the text and the Robert art.
ReplyDelete...The City Three Quarters as Old as the Firmament of the Heavens...
Nice Petalhead dogwhistle.
Thanks there's also some Detroit in fantasy drag in that mix too.
DeleteI'm still working on that dancing rainbow Ssu bumper sticker.
Man that David Roberts is lickable.
ReplyDeleteClose, but these are all Hubert Robert. I make a beeline to see his pieces at the Art Institute in Chicago and the National Gallery.
DeleteQuite aside from the awesome city, a centuries old, permanent siege camp/cantonment would be a great and weird setting all of its own!
ReplyDelete